{"id":2870,"date":"2017-09-11T16:07:39","date_gmt":"2017-09-11T14:07:39","guid":{"rendered":"https:\/\/www.grandezzemeraviglie.it\/?p=2870"},"modified":"2025-01-21T14:09:45","modified_gmt":"2025-01-21T13:09:45","slug":"festival-grandezze-meraviglie-2017-concert-modena-chiesa-di-san-bartolomeo-16th-september","status":"publish","type":"post","link":"https:\/\/www.grandezzemeraviglie.it\/en\/festival-grandezze-meraviglie-2017-concert-modena-chiesa-di-san-bartolomeo-16th-september\/","title":{"rendered":"Festival Grandezze &#038; Meraviglie 2017 \u2013 Concert @Modena, Chiesa di San Bartolomeo &#8211; 16th September"},"content":{"rendered":"<p style=\"text-align: center;\">Saturday 16th September MODENA\u00a0<i>9 pm<\/i><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.grandezzemeraviglie.it\/festival-2017\/i-luoghi-del-festival\/\">Chiesa di San Bartolomeo<\/a>\u00a0\u00a0<em>free entry<\/em><\/p>\n<p style=\"text-align: center;\"><b>DAL LIUTO ALLA CHITARRA<\/b><\/p>\n<p style=\"text-align: center;\"><b>Metamorfosi degli strumenti a corda<\/b><\/p>\n<p style=\"text-align: center;\" align=\"left\">Min Jung Kim<em> voice, Renaissance and Medieval lute<\/em><\/p>\n<p style=\"text-align: center;\" align=\"left\">Maximilian Pacheco <em>thiorba and Baroque guitar<\/em><\/p>\n<p style=\"text-align: center;\" align=\"left\">Eleonora Deprez <em>19th century guitar<\/em><\/p>\n<p style=\"text-align: center;\" align=\"left\">Caterina Chiarcos <em>voice<\/em><\/p>\n<p style=\"text-align: center;\" align=\"left\">in cooperation with\u00a0<a href=\"http:\/\/www.festivalfilosofia.it\/2017\/\" target=\"_blank\" rel=\"noopener\">festival<em>filosofia<\/em><\/a><\/p>\n<p style=\"text-align: center;\"><strong>CONCERT PROGRAM<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Medieval lute; Renaissance lute; voice<\/em><\/p>\n<p style=\"text-align: center;\">ANONIMO (XV SEC.)<\/p>\n<p style=\"text-align: center;\"><em>Faenza, Biblioteca Comunale, MS 117, f. 49v<\/em><\/p>\n<p style=\"text-align: center;\">n. 17<\/p>\n<p style=\"text-align: center;\">ANONIMO (XIV SEC.)<\/p>\n<p style=\"text-align: center;\"><em>Llibre Vermell de Montserrat, f. 25r<\/em><\/p>\n<p style=\"text-align: center;\">Mariam Matrem virginem &#8211; mottetto<\/p>\n<p style=\"text-align: center;\">ANONIMO (XV SEC.)<\/p>\n<p style=\"text-align: center;\"><em>Faenza, Biblioteca Comunale, MS 117, f. 80v-81<\/em><\/p>\n<p style=\"text-align: center;\">Bel fiore \u2013 danza<\/p>\n<p style=\"text-align: center;\">DON PAOLO DA FIRENZE (c.1355-c.1436)<\/p>\n<p style=\"text-align: center;\"><em>Paris, Biblioth\u00e9que National, fonds italian 568, f. 51<\/em><\/p>\n<p style=\"text-align: center;\">Lasso, Grev\u2019\u00e8 \u2019l partir &#8211; Ballata<\/p>\n<p style=\"text-align: center;\">FRANCESCO LANDINI (c.1325-1398)<\/p>\n<p style=\"text-align: center;\"><em>Firenze, Biblioteca Nazionale Centrale, Panciatichiano 26, f. 2v<\/em><\/p>\n<p style=\"text-align: center;\">Non creder donna \u2013 Ballata<\/p>\n<p style=\"text-align: center;\">FRANCESCO CANOVA DA MILANO (1497-1543)<\/p>\n<p style=\"text-align: center;\"><em>da: Intabolatura di liuto, in Vinegia Marcolini 1536<\/em><\/p>\n<p style=\"text-align: center;\">Ricercare<\/p>\n<p style=\"text-align: center;\">PEREGRINUS CESENA VERONENSIS (sec, XV-XVI)<\/p>\n<p style=\"text-align: center;\"><em>da Petrucci, Frottole, Libro III n. 25, Venezia 1508<\/em><\/p>\n<p style=\"text-align: center;\">Non posso abandonarte \u2013 frottola<\/p>\n<p style=\"text-align: center;\"><em>\u00a0<\/em><\/p>\n<p style=\"text-align: center;\"><em>Thiorba; Baroque guitar; voice<\/em><\/p>\n<p style=\"text-align: center;\">ROBERT DE VIS\u00c9E (c. 1655 \u2013 1732)<\/p>\n<p style=\"text-align: center;\"><em>Besan\u00e7on, Biblioth\u00e8que municipale, MS. <\/em><em>Vaudry de Saizenay, p. 258<\/em><\/p>\n<p style=\"text-align: center;\">Chaccone de Mr. De Vis\u00e9e Besan\u00e7on<\/p>\n<p style=\"text-align: center;\">CLAUDIO MONTEVERDI (1567 \u2013 1643)<\/p>\n<p style=\"text-align: center;\"><em>Prologo dell\u2019Orfeo, favola in musica, SV 318<\/em><\/p>\n<p style=\"text-align: center;\">La Musica<\/p>\n<p style=\"text-align: center;\">GASPAR SANZ (1640 \u2013 1710)<\/p>\n<p style=\"text-align: center;\"><em>Zaragoza, Introducci\u00f3n de M\u00fasica sobre la Guitarra Espa\u00f1ola, p. 10<\/em><\/p>\n<p style=\"text-align: center;\">Pavanas<\/p>\n<p style=\"text-align: center;\">SIGISMONDO D\u2019INDIA (1582 \u2013 1629)<\/p>\n<p style=\"text-align: center;\"><em>da Le Musiche, libro V, p.22<\/em><\/p>\n<p style=\"text-align: center;\">Torna il Sereno Zefiro<\/p>\n<p style=\"text-align: center;\">ALESSANDRO PICCININI (1566 \u2013 1638)<\/p>\n<p style=\"text-align: center;\"><em>Firenze, Intavolatura di Liuto, et di Chitarrone Libro Primo, p. 96<\/em><\/p>\n<p style=\"text-align: center;\">Toccata IV<\/p>\n<p style=\"text-align: center;\">HENRY PURCELL (1659 \u2013 1695)<\/p>\n<p style=\"text-align: center;\"><em>Aria da The fairy queen, Z. 629<\/em><\/p>\n<p style=\"text-align: center;\">Oh, let me weep<\/p>\n<p style=\"text-align: center;\"><em>19th century guitar; voice<\/em><\/p>\n<p style=\"text-align: center;\">MAURO GIULIANI (1781-1829)<\/p>\n<p style=\"text-align: center;\"><em>da 12 Waltzes op. 57<\/em><\/p>\n<p style=\"text-align: center;\">Waltzes n. 1, 3 e 6<\/p>\n<p style=\"text-align: center;\">MAURO GIULIANI<\/p>\n<p style=\"text-align: center;\"><em>da Sei Ariette op. 95<\/em><\/p>\n<p style=\"text-align: center;\">Quando sar\u00e0 quel d\u00ec<\/p>\n<p style=\"text-align: center;\">FERNANDO SOR (1778-1839)<\/p>\n<p style=\"text-align: center;\">Andante, largo<\/p>\n<p style=\"text-align: center;\">op. 5<\/p>\n<p style=\"text-align: center;\">MAURO GIULIANI<\/p>\n<p style=\"text-align: center;\"><em>da Sei Ariette op. 95<\/em><\/p>\n<p style=\"text-align: center;\">Di due bell\u2019anime<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday 16th September MODENA\u00a09 pm Chiesa di San Bartolomeo\u00a0\u00a0free entry DAL LIUTO ALLA CHITARRA Metamorfosi degli strumenti a corda Min Jung Kim voice, Renaissance and Medieval lute Maximilian Pacheco thiorba [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15678,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"_links":{"self":[{"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/posts\/2870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/comments?post=2870"}],"version-history":[{"count":2,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/posts\/2870\/revisions"}],"predecessor-version":[{"id":12791,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/posts\/2870\/revisions\/12791"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/media\/15678"}],"wp:attachment":[{"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/media?parent=2870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/categories?post=2870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.grandezzemeraviglie.it\/en\/wp-json\/wp\/v2\/tags?post=2870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}